8 Roald Dahl Quotes About Writing

In putting together my post about Roald Dahl’s writing method, I came across a number of interesting Roald Dahl quotes.

Here are some of Roald Dahl’s thoughts and opinions about writers and writing.

“Two hours of writing fiction leaves this writer completely drained. For those two hours he has been in a different place with totally different people.”

“A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it”

“The life of a writer is absolute hell compared to the life of a businessman. The writer has to force himself to work He has to make his own hours and if he doesn’t go to his desk at all there is nobody to scold him…A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.”

“When you’re writing a book, it’s rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it’s got to be the best view of all, when everything comes together and you can look back and see that everything you’ve done all ties up. But it’s a very, very long, slow process.”

“The prime function of the children’s book writer is to write a book that is so absorbing, exciting, funny, fast and beautiful that the child will fall in love with it. And that first love affair between the young child and the young book will lead hopefully to other loves for other books and when that happens the battle is probably won. The child will have found a crock of gold. He will also have gained something that will help to carry him most marvellously through the tangles of his later years.”

“A writer of fiction lives in fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.”

“The writer walks out of his workroom in a daze. He wants a drink. He needs it.”

“Good writing is essentially rewriting.”

How to Write a Children’s Book: Advice from Roald Dahl

Roald Dahl, the author of some of the most well-loved children’s books ever written, was very set in his ways when it came to his writing process. He worked in the same fashion for several decades and developed a routine and process from which he seldom deviated.

Dahl’s writing method was refined over the years until it was perfectly matched to his personality and tendencies. You might not want to copy Dahl’s approach, but there are lots of lessons that we can learn by looking at in more detail.

Your Writing Environment is Important

Roald Dahl wrote most of his best books in a shed in his garden. This may sound unbelievable, but Dahl worked hard to design a writing environment that would allow him to be as creative and productive as possible. He didn’t want a luxury office with a mahogany desk overlooking the beautiful Buckinghamshire countryside. Such things would just act as distractions from the task of writing. Instead, Roald Dahl’s writing shed didn’t have any windows. In fact, it didn’t even contain a desk!

Everything in the writing shed was there for a purpose. Dahl sat upon an old armchair previously owned by his mother. The seat had been adapted to ease his aching back (caused by an injury sustained in World War 2) and to accommodate his writing board, which he balanced, supported by a roll of corrugated cardboard, on his knees. He rested his legs on a battered suitcase, and covered them with an old sleeping bag when they got cold,. None of these items were chosen for their aesthetic appeal and Dahl’s writing shed was described as both rundown and untidy. Yet it allowed Dahl to write without noise and distraction. It might not be anyone else’s idea of the perfect place to write, but it was Roald Dahl’s. And that’s the point. In order to produce your best work, you should find the environment that appeals to you.

Find the Perfect Tools (and Use Them)

Roald Dahl wrote all of his children’s books in HB pencil (Dixon Ticonderoga to be precise) on yellow legal pads. He described his electric pencil sharpener as ‘vital’ to his writing process, and he always started each writing session with six sharpened pencils in a jar next to his writing chair.

Dahl worked out early on in his writing career which tools worked best for him. Once he had discovered this he didn’t keep trying other things, he stuck to it. Dahl realised that constantly tinkering with his writing process was merely a form of procrastination. A writer should be writing, not fiddling around with different types of stationery.

Find a Routine and Stick to It

Roald Dahl was a man with many interests. He grew orchids, collected art and wines, played snooker and raced greyhounds. Dahl’s time was precious and he knew that, unless he adopted a writing routine, his other hobbies would prevent him from getting down to work.

Dahl wrote everyday from 10am until noon, and then from 4pm to 6pm. And he always stuck to these times regardless of how well his writing was going. Dahl’s schedule was strict, but realistic. He knew he could only maintain his concentration and creativity for a couple of hours in a row, so he didn’t set himself the goal of writing for longer than that. But he always showed up at his writing shed on time. He made a commitment with himself, and he kept it – day after day, year after year.

Be Methodical. Be Workmanlike

Dahl acknowledged that writing a book is hard work. He allowed himself six months to write a short story and about a year to write one his children’s books.  He firmly believed that ‘good writing is essentially rewriting’. Dahl set himself high standards. He often started his writing session by revising his work from the previous day, and he completely rewrote Matilda because he was not satisfied with his first attempt.

In one interview he described the life of a writer as ‘absolute hell’ because he has to ‘force himself to work’. Dahl made himself work every day for four hours. He went to his writing shed everyday because he knew that the ideas would come in the end. All Dahl’s stories started with ‘the germ of an idea’ and he noticed that ‘all the best stuff comes at the desk’. Dahl didn’t wait for inspiration to strike before he started work; he got down to work knowing that this effort would force him to take his story further towards its conclusion.

Dahl described the process like this:

When you’re writing it’s rather like going on a very long walk, across valley and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up to the top of a hill, and you see something else, then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book because it’s got the best view of all, when everything comes together and you can look back and see how everything you’ve done all ties up. But it’s a very, very long, slow process.

Although the specifics of Roald Dahl’s writing process will only appeal to a small number of children’s book writers (How many of you would give up your office for a shed?), his general approach can be boiled down to these key lessons:

  1. Try to find one place where you feel comfortable writing. The environment should be designed to make as easy as possible for you to write. It doesn’t have to look good; it just has to create an atmosphere that gets your creative juices flowing.
  2. Experiment with different stationery and technology until you find one that works for you, and then use it. The method of getting words on the page doesn’t matter. The words are the only things that are important.
  3. Beat procrastination and laziness by committing to a realistic routine. Don’t skip a writing session. Don’t break an agreement with yourself.
  4. If authors only wrote when they felt inspired, library shelves would be a lot emptier. Writing is hard work, but if you turn up regularly enough, ideas, inspiration and creativity will come your way.
  5. Don’t expect to write a masterpiece straight away. A first draft might need to be revised several times before you’re happy with your story.